![]() ![]() I think I know what to say too but I was afraid that I would be a tad too negative. I HATE that they might be stripping great songs for parts to use in other songs if it means those great songs won't be released. I agree! I'm grateful we have the Eye of You rough mix though, best of both worlds Axl also has the most impressive screams of GN'Rs back catalogue in it. Not all their songs very these deep, epic, serious things. I have this growing suspicion that some fans have forgotten that many GN'R songs were just made for fun, the fun of playing, the fun of partying to. Don't get me wrong, the song should be taken seriously, but only as a non-serious, fun song. I know people have a problem with the MacDaddy vocal line - personally I think it is fine and I don't think it is meant to be taken too seriously. GN'R is not known for sexy songs, but that one is. And that drum and bass groove makes me wanna do dirty things. It is terrible as a GN'R song, yes yes yes, so different and so little guitars and so funky, but my god what a wondrously quirky thing it is. I am listening to it now and it is even better than I remembered. (I also love Hard Skool so the Kia analogy wasn't very good). ![]() It's like taking a brand new Ferrari and stripping it for parts to put in a Kia. I don't even know what to say about this! Shackler wrote:Yes, those "heys" and the scream before the chorus are vocals from Eye on You. In the live setting I felt it robbed the song of momentum and intensity, expect for when it kicked back in again. On the released version you have Slash's slide that is okay and some pointless "hey-heys" from Axl. I liked it more in the demo version, because then there was this intertwined guitar melodies that slowly built up in intensity. What did you think about the "middle" part where the song slows down and Axl sings "Ay-Ay" for a while? And before I have been on the fence regarding the new intro, in a live setting the new intro kicks ass. I think it must have been a great song live. It sounds different than on the released version, especially since there is not so much transition between "clean" verse and distortion in chorus, but the intensity is absolutely there. The energy was there and he didn't run out of breath when I thought he would. Some kinks he will undoubtedly iron out before the next show. ![]() Soulmonster wrote:Listened to to the Hard Skool from yesterday again, it is really not that bad. Live debut of Hard Skool which had been released two days prior. Melissa Reese: Keyboard and backing vocals Richard Fortus: Rhythm and lead guitar, and backing vocals Slash: Lead and rhythm guitar, and backing vocals Slash Guitar Solo (You Gotta Move/Mannish Boy Jam)ΔΆ0. ![]()
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